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Disney capitalized on this, as it always does, with a wealth of merchandising set around The Mandalorian, including various skins in Fortnite.
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Monoculture television events make viewers hungry for more outside of the series itself. Jason Kenney, Alberta’s premier, even went as far as stating that, “ will be the largest ever, I believe, film or television production in Canadian history.”
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This sits alongside news that the show is set to begin filming in Canada this summer, with the shoot lasting roughly a full year. Just look at the pedigree of talent being gathered both in front of the camera as well as behind it - from Pedro Pascal and Bella Ramsey as Joel and Ellie, to Emmy winner Craig Mazin writing and executive producing alongside Neil Druckmann, to Cannes darling Kantemir Balagov directing the pilot episode. Like, “win Emmys and became a mainstream phenomenon” huge. And to understand that, you need only look at the other TLOU project currently in the works - the HBO series.Īll parties involved are gearing up for HBO’s The Last of Us to be huge. This is an especially valuable proposition because, ultimately, The Last of Us is their step into a world beyond video games. Sony and Naughty Dog have an opportunity here to create a seamless back-to-back experience out of the two halves by bringing them together under one game engine with the same visual fidelity and gameplay mechanics. In that way, The Last of Us and The Last of Us Part II are the closest thing we’ve seen in games to the first two Godfather films, right down to the titling itself.
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Watching Ellie grow from a hopeful child, to a surrogate daughter, to a hardened murderer after she’s lost the most important thing in her life is ultimately a single character arc. They are so complementary, reflective, and grow in meaning and power based on the action of the other. But there are a few major factors in why this makes perfect sense for Sony, even if it might be the boring move to make.įirst off, more so than maybe any other game in history, The Last of Us and its sequel are two halves of a single story. And having resources put towards this instead of brand new games or remastering / preserving older games that are tougher to play on modern hardware feels like the wrong move at this point in time. And rightfully so - on the surface, it seems absurd to remake a game from 2013 that already saw a 2014 PlayStation 4 remaster and still looks and plays solidly on PS5. It seemed like the immediate response to this news was backlash and confusion that Naughty Dog and the secret San Diego studio were working on a remake of the original The Last of Us.
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This came from a Bloomberg report that chronicled the game’s rocky road into development, along with news of a rejected Days Gone sequel pitch and a new installment in the Uncharted series. After a trio of odd moves in recent months, last week brought us news that a PlayStation 5 remake of 2013’s The Last of the Us is currently in the works internally at Sony. Tarantino confessed that he’s always found the director’s work a little clinical and lacking in tenderness: “The first twenty minutes of A Clockwork Orange are absolutely perfect,” he began, going on to label Kubrick a hypocrite for his attempt to make a film “not about violence, but about condemning violence”.Looks like PlayStation’s very strange 2021 keeps on trucking along. He’s never shied away from giving honest opinions about the work of other directors, especially that of Kubrick, whose 1997 version of Lolita rubbed him up the wrong way.īack in 2003, Tarantino gave an interview published in The New Yorker, in which he opened up about the formalism of filmmakers like Stanley Kubrick, revealing that he had made a concerted effort to counteract with his own brand of cinema. Like new wave directors Jean-Luc Godard and Claude Chabrol, Tarantino’s filmography has a critical, journalistic edge. As you would expect of the man responsible for such labyrinthine and self-referential films as Pulp Fiction and From Dusk Till Dawn, Tarantino is one-half film critic, and one-half director.